{"id":1219,"date":"2020-01-24T03:58:48","date_gmt":"2020-01-24T03:58:48","guid":{"rendered":"https:\/\/themes.estudiopatagon.com\/wordpress\/wavy\/?p=60"},"modified":"2020-01-24T03:58:48","modified_gmt":"2020-01-24T03:58:48","slug":"the-history-of-the-first-digital-illustrations-of-the-modern-era","status":"publish","type":"post","link":"https:\/\/elevadoresrw.com.br\/blog\/the-history-of-the-first-digital-illustrations-of-the-modern-era\/","title":{"rendered":"The history of the first digital illustrations of the modern era"},"content":{"rendered":"\n
The world of digital illustration has come a long way, with a rich history that has transformed the way we create and appreciate art in the modern era.<\/p>\n\n\n\n
In the mid-20th century, computer scientists and artists began experimenting with early computer technologies to create digital images. These innovations laid the foundation for the digital art we know today.<\/p>\n\n\n\n
In the early 1960s, Ivan Sutherland developed “Sketchpad,” an innovative software that allowed users to draw and manipulate digital images using a light pen, effectively becoming one of the earliest forms of computer-aided design.<\/p>\n\n\n\n
As computer technology advanced, the 8-bit and 16-bit eras of gaming brought pixel art to the forefront.<\/p>\n\n\n\n
\nThese early digital illustrations laid the groundwork for the pixel art aesthetics seen in retro games.<\/p>\n<\/blockquote>\n\n\n\n
Rise of Digital Art Software<\/h3>\n\n\n\n
The late 20th century saw the emergence of digital art software like Adobe Photoshop and Corel Painter, making it more accessible for artists to create digital illustrations.<\/p>\n\n\n\n
Conclusions<\/h2>\n\n\n\n
In conclusion, the history of the first digital illustrations in the modern era is a testament to human creativity and technological innovation.<\/p>\n\n\n\n
From the early computer experiments to the digital art renaissance of today, digital illustrations have become a fundamental and respected form of artistic expression.<\/p>\n","protected":false},"excerpt":{"rendered":"
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